FAQ  

One retoucher handles your shoot from start to finish, and the test image is done by the person who’ll be working on it. Editorial, advertising and image campaigns I retouch myself — I’m Elizaveta; catalogue and custom shoots are handled by Yulia and Veronika. Either way, I review the result and I’m accountable for it.

2–3 days on average, 24 hours for rush jobs. For around 300 images, allow 3–5 days. To make the timeline work, book your retouching dates in advance.

Yes. Volume pricing applies from 170 images — calculate your batch in the brief. We take on projects from a handful of images to shoots of 300+, never run them through plugins or AI — hand retouching only, with quality intact.

You can see a ballpark range in the calculator in about a minute. The cost depends on volume, retouching complexity and deadlines. Once I’ve seen the files, I’ll quote an exact price. I work with clients worldwide.

Just outline the general direction and attach references if you have them. Small decisions within the approved style are on me — no need to spell out every crease and stray hair. If you don’t have a brief, I’ll help you define the right level of retouching before we start.

Yes. One round of revisions within the original brief is included.

My main focus is natural commercial retouching you don’t notice — texture and volume kept intact. Where needed, I adapt the intensity to the visual style of the brand, photographer or publication.

Yes, in the Before/After section. New clients can request a test image; its cost is included in the final order.

Returning clients and rush projects get priority booking. I’d recommend sharing your shooting dates early so I can reserve time in the schedule. Autumn and winter are peak season — retouching is booked in advance.